Newry House, Melbourne / Austin Maynard Architects
A redesigned family home within an existing 90’s shell. Why add a tiny lightwell to your dark, cold Victorian terrace when you can add a conservatory full of warmth, light and plants?
A redesigned family home within an existing 90’s shell. Why add a tiny lightwell to your dark, cold Victorian terrace when you can add a conservatory full of warmth, light and plants?
A series of cabins – Denison Rivulet Cabins – these structures provide accommodation for couples at the bend of river, just north of Bicheno. The buildings establish a strong engagement with the wider site, through a series of interior strategies and plan relationships that create unique and memorable experiences for guests.
A new home for two families brings new life to a quiet Montréal neighborhood dating back to the 50’s and 60’s. In its own, unassuming way, this recent building is part of a movement that is gradually transforming Montréal’s traditional streets, as a growing number of young families are moving in.
Extensive refurbishment and interiors fit out of a central london flat in a mansion block originally constructed at the turn of the last century. The works included substantial structural modifications altering the flat’s layout and introducing new services.
With Lytton Park Residence project, we explore the hip roof typology within the context of a quasi-suburban environment. The apex of the upper volume is off-set toward the west, positioning it adjacent to the larger of its neighbouring houses.
Olinda House is the result of a love story between the owners and their site. Designed for vets and keen gardeners, Matt and Leanne, the home brings the outdoors in and means their daily lives are immersed in greenery.
Ruhnn Culture is China’s largest firm dedicated to internet KOL incubation and KOL marketing in e-commerce. Its new office is set on the 37 and 38 floors of GT Land Plaza in CBD of Hangzhou, with a total area of 3,558 sqm.
Our Clients came to us with a book of midcentury classics, in which, much to our delight, they had earmarked a photograph of the deep verandah of the Farnsworth House by Mies Van de Rohe, which, along with the qualities of the location and site, gave us our starting point.