Dror Baldinger, FAIA, is an architectural photographer based in San Antonio, Texas. His practice includes a panorama of projects, from commercial and educational projects, to jewel houses.
An architectural education, a career as an award-winning architect and design director, and elevation to Fellow of the American Institute of Architects (FAIA) are fully focused through Dror’s camera lenses, and inform his photographic compositions of architecture and interior design. His images facilitate aesthetic engagement and sculptural exploration of designed space.
His work has been published in books such as Contemporary Texas Architecture, Texas Modern, and The American House. He contributes regularly to Luxe Interiors + Design, Texas Architect, and Western Art & Architecture.
Dror is based in Texas and Brooklyn, NY. When not on assignment, Dror enjoys painting architectural interpretations of Le Corbusier’s architecture (see his paintings in the Personal Work tab), and traveling with his family.
In an area of Wyoming known for it’s 20,000 SF, multilevel, seldom-used vacation homes, this modest one level structure serves as a primary residence. Nestled into the top of the ridge, Ridgeline house is intended to embrace nature.
The convenient location of this large lot in west Austin attracted the new owners, but the 1980’s era suburban brick house that existed on the property didn’t align with their modern aesthetic, nor did it take advantage of the wooded natural setting.
Architects: Miro Rivera Architects Project: Tree Residence Location: Austin, TX, USA Size: 5,250 sq ft Photography: Dror Baldinger Tree Residence is a single-family house designed by Austin-based Miro Rivera Architects. Early sketches of this private residence explore the play between the steep, sloping site on which it lies and two curving rooflines—one concave and one convex.
Stanford Midcentury Addition-Remodel project was recently completed by DADO Group, a San Antonio based firm that offers clients single-source architectural design and construction services. Seeking a modern interpretation for a 1963 vaulted roof Olmos Park home described by architectural journalist Steve Bennett as “caught in a kind of ‘Brady Bunch’ time warp,” the renovation exposed the good
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