Vincent Van Duysen was born in Lokeren, Belgium, in 1962. After earning a degree from the Sint-Lucas School of Architecture, Ghent, he worked with Aldo Cibic in Milan, followed by a collaboration with Jean De Meulder in Antwerp, Belgium.
In 1989, Vincent Van Duysen Architects was established. Today, the firm has grown into a team of more than twenty collaborators with work ranging from product design for numerous international brands, to commercial and large-scale architectural projects, with a focus on high-end residences both in Belgium or spread across Europe, the Middle East, Asia and the USA.
From the outset, a definite relationship between architecture, interior and product design has been the driving force behind the conception of projects inspired by subtle transitions between these disciplines and combined with a spatial design attitude, constantly striving for the essence.
The use of pure and tactile materials translates into clean, timeless design. With respect to context and tradition, it’s an approach within which the senses, and the physical experience of space, textures and light place the integrity of the user at its core. Functionality, durability and comfort are the prime components of the work, an architectural language not shy to convey aesthetics, but prone to eschew fashion and trends.
During his career, Van Duysen has received multiple awards among which the recent Flemish Culture Prize for Design, Belgian Designer of the Year and the Henry van de Velde Lifetime Achievement Award. His name has also been included in the AD100 survey by the Architectural Digest network multiple times.
In 2016, Van Duysen was appointed as Art Director of Italian brands Molteni&C and Dada, reshaping their global image by designing flagship stores, exhibition stands and a series of new products. From 2018 to May 2020, he covered the role of creative director at Sahco for Kvadrat, after which he has been collaborating as a senior designer.
For many years, Van Duysen’s work has been appearing on a number of prestigious international publications. Starting from 1994, his projects and realisations have also been featured in different monographs among which those edited by renowned publishing house Thames & Hudson.
Inspired by the beautiful panoramic view of the River Schelde and the bluestone along the gray quayside, the Concrete Penthouse project is arranged around the axes of its views and volumes allowing each zone to take advantage of this spectacular location.
A project to convert a farm (consisting of a farm house, 2 large barns and 3 small outbuildings) into a house, for a family with two children, was developed respecting the tradition of Flemish rural architecture
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