About Simon Devitt
I am a photographer with a strong practice focus in Photography of Architecture, currently based in Auckland, New Zealand, with an established international practice throughout Australasia and further afield.
I have both a strong sense of home and a wanderlust which goes right back to when I was born on a tightrope in a travelling circus in 1973. Working in many different settings across cultures around the world has had a great impact on my professional practice, which has been greatly enriched by my experience of each particular context: Shanghai and its people, the fruitful silence of a Japanese bamboo forest, the light in Los Angeles, so different to the harsh, more direct light in New Zealand.
Infact, I love LA light, so diffused, as if a giant soft box had been placed over the sun. On one particular occasion, standing with my camera equipment in a very suburban street in Echo Park I noticed that I had caught the neighbours’ attention. A few came up to ask what I was doing, in a cutely nosey, neighbourly way, all of them appearing to act as a neighbourhood watch of sorts over the house I was photographing and for each other. I felt a great sense of community and a few of them even made it into one of my pictures. I love people in my photos as their appearance adds a sense of scale and a place in time.
I am the author of the award-winning photo-book Rannoch and the All Things Considered series. Photo-books bring together my passion for image, place and language, which started in 2013 with the launch of Portrait of a House, my first self- published photo-book on the Athfield residence in Wellington. Since then, I have started publishing the Ripe Fruit series.
My images feature in many books and collaborations including Long Live the Modern (2009), Group Architects: Towards a New Zealand Architecture (2010), Athfield Architects (2012) and Summer Houses (2011); as well as in numerous national and international magazines such as Elle Decor (Italy, UK, Japan and South Africa), Architectural Digest (Germany), Dwell (USA), Habitus, InDesign (Australia), Architecture NZ, Home New Zealand, Urbis, Interior (NZ).
I lecture in Photography of Architecture at the University of Auckland, where I have also had the pleasure of offering the annual Simon Devitt Prize for Photography since 2008.
Currently I’m represented by PhotoFoyer in Milan, Italy and my work has been exhibited in both group and solo shows.
Once I had a man crush on Nick Cave, and I have a penchant for garden gnomes. Oh, and I prefer my martini shaken, not stirred.
I am available for commissions, collaborations and guest lectures in New Zealand and worldwide.
LOCATION: Auckland, New Zealand
LEARN MORE: simondevitt.com
The Rammed Earth Home by Nott Architects is a raw, grounded home thoughtfully designed to blend with its rugged, arid surroundings. Located on a remote site, this project was created for a couple who, along with their dog, relocated from Wellington. Bringing a strong visual and storytelling background from their work in graphics and branding
Located on the shores of Lake Hāwea, twenty minutes’ drive from Wanaka, this newly constructed house capitalises on breathtaking views of the lake and Southern Alps
The Relocatable Studio House is a compact single-bedroom home and is an exploration of living small, affordably, and sustainably. At only 42m2 the house is compact, similar in nature to a studio apartment.
This is a long-term home for a growing family and located in suburban Auckland’s North Shore. The site has a moderate western slope with an eastern road boundary and a double width right of way to the northern boundary.
This project is a new holiday home located within a coastal golf resort north of Auckland. The site, essentially a gently sloping sand dune provides magnificent views to the ocean beyond, and over the golf course to the wider natural landscape to the west.
DMA were approached by the clients after seeing another of our houses. Their site was a 600m2 recently subdivided site, with a rather unusual road frontage in that it was tucked below Upland Road and serviced by a feeder alley way.
The Anzac Bay House acts as a gateway between civilisation and the surrounding nature, risen by its garage and cantilevered overhang to offer privacy from the street.
The Sugi house and the areas of glazing are orientated to maximise solar gain, with minimal openings on the remaining sides of the house to preserve the thermal envelope.
