The False Bay Residence is situated to maximize sweeping views of Haro Strait and the Olympic Mountains. A 15-foot-tall opaque entry door pivots open to reveal a view of the Sound through a double-height glazed living and dining space.
Olson Kundig is a full-service design firm whose work includes residences (often for art collectors), museums and exhibition design, hospitality projects, commercial design, academic buildings, interior design, visual identities, and places of worship.
The firm is led by five owners—Jim Olson, Tom Kundig, Kirsten R. Murray, Alan Maskin, and Kevin Kudo-King—who are supported by three principals, twenty one associates, and a staff of approximately 140 in the historic Pioneer Square neighborhood of downtown Seattle. The firm opened a workspace in New York in 2014 to better serve its expanding roster of East Coast and international clients. The in-house interiors studio, founded in 2000, provides a full range of services, including material selection, custom furniture design, and purchasing capabilities.
The firm began its creative existence in 1966 with the architect Jim Olson, whose work at that time centered on explorations of the relationship between dwellings and the landscapes in which they inhabit. Olson started the firm based on the essential ideas that buildings can serve as a bridge between nature, culture, histories, and people, and that inspiring surroundings have a positive effect on people’s lives.
Set in the remote, harsh high desert of Idaho, Outpost is an artist’s live-work studio and sculpture garden. The building’s compactness restricts site impact and reinforces the desire to be outside.
Located in one of Seattle’s most established residential areas, City Cabin’s design answers the client’s desire for a private urban retreat that would connect her to nature. Siting the 2,400-square-foot house on the northwest corner of the lot maximizes garden areas on the south and east sides.
The Trout Lake retreat contains four distinct buildings arranged in two groupings. The first grouping contains the main house, a woodworking shop, and a carport all contained under a single roof in a T-shape. A covered courtyard connects the three spaces in the middle of the “T”.
The owner’s affection for a stone outcropping on her property inspired the design of this refuge house. Conceived as a retreat nestled into the rock, the Pierre (the French word for stone) celebrates the materiality of the site.
The T-shaped form of Rimrock responds to the unique typography of the bluff upon which it is situated. Sited at the edge of a cliff, the house straddles two sides of wash atop a stable outcropping of tough, slow-cooled volcanic basalt.