The Kahua Kuili residence was conceived as a modern interpretation of a classic Hawaiian summer camp. The project site is located at the base of the island’s large cinder cone, Pu’u Kuili, and offers expansive views of the Pacific Ocean and Kua Bay as well as mountain views to Hualalai.
The Dalarna house was specifically situated along a north to south axis so that the homeowners can have the morning sun at breakfast and, as the day goes on, enjoy the sunset from the master bedroom.
A family in Ealing, with three children, commissioned Office S&M to refurbish their house. We created a child-friendly house in the broadest sense of the word, adding curves to the walls, a playful snakes-and-ladders bannister to the new room, and an arched window for each child.
The expression “Interior Evolution” became the motto of the architectural bureau Materia 174, which can be interpret as “Innovations. Emotions. Special execution». In the process of working on each project, the bureau keeps at the idea of sustainable development in these value directions.
Anchored to a rocky slope and looking out over expansive water views, this house is the expression of the clients’ desire to connect to both the immediate landscape and the view beyond. Stacked boxes that end in large lift-slide doors direct each interior to specific views.
Writer`s house is an alteration and additional to an existing orange brick veneer residence that was originally designed in the late 1960`s by Michael R. E. Feldhagen. The house was originally built for the current occupants grandparents who were jewish holocaust survivors and immigrated to Australia a few years prior to building the house.
The Keffer Passive House is Pike County, Pennsylvania’s first home designed to meet the Passive House standard. The house is a weekend family retreat for a retired couple from the New York metropolitan area.
The Mulholland house on the cusp of a fold in the Hollywood Hills identifies the differential complexity of the steep hillside as its functional and formal generator. The stark, rigid appearance enters a dialogue with the landscape, defining itself as a real object through the process of alienating its context.
