Slot Residence by Feldman Architecture
The 180 degree cross canyon views of the Foothills Open Space Preserve to the west of the Slot Residence site served as inspiration for the design, orientation, and focus of the home …
The 180 degree cross canyon views of the Foothills Open Space Preserve to the west of the Slot Residence site served as inspiration for the design, orientation, and focus of the home …
This vintage rambler sits in a 1960’s builder’s subdivision, and had not been touched. Guiding the design were classic modernist principals espoused by Mid-Century greats like Richard Neutra and Joseph Eichler.
The design brief called for a relatively efficient 3 bedroom home to accommodate family life and flexible occupation of the adult children in rural south-eastern Auckland.
Toronto’s Amantea Architects has transformed the landscape of a single-family home in the city’s Forest Hill neighbourhood, clarifying its program while maintaining its lush, layered character.
Taylor Smyth Architects and Cecconi Simone collaborated on the design of the house, with the sophisticated interiors custom designed by Cecconi Simone to incorporate bronze privacy screens, stone, wood paneling and built-in millwork.
The owners of this Lakeview property wanted to create outdoor space for relaxing and entertaining. Their vision was to transform the yard to promote an open-air lifestyle that reminded them of California wine country, where they have roots.
Perched on a steeply sloping lot in the community of Tetherow in Central Oregon, Trailhead House may be the ultimate base for outdoor adventures. The Trailhead House was a collaboration with Craig Miller of Living Places llc, Bozeman, Montana.
Located in one of the most typical and established neighborhoods of Aveiro (Beira Mar), this residence is the result of a passionate and challenging reform, a reform which intends to return to the city and to its users a lifestyle which is free and in contact with outdoor spaces ….
If your house isn’t quite working for you, it can be tricky to put your finger on why. Often, that’s because it’s a combination of things. In this case, the spaces didn’t quite flow, the basement was dark, and there was little connection between inside and out.