Swatt Miers Architects Serves Up California Cool with a Warm Modern Twist
January 4, 2025
Three exquisitely composed custom residences showcase the studio’s mastery at harmonizing form, space and nature
Bay Area firm Swatt Miers Architects (SMA) is highly regarded for creating timeless designs that celebrate the natural environment. Specifically, the firm uniquely melds the iconic, mid-20th century architectural forms of Los Angeles and Palm Springs with the Third Bay Area Tradition, most notably exemplified by Sea Ranch, a planned community located along the Pacific Coast in Northern California. To date, the studio’s portfolio includes more than 200 new-build luxury residences and speciality-use residential structures across California, Hawaii, Canada, India, and Spain.
Robert Swatt, FAIA, who co-founded the firm with George Miers, AIA, describes the studio’s aesthetic as “warm modern.” Raised in Los Angeles and educated at the University of California, Berkeley, Swatt counts early California modern masters among his notable influences, including influential architect and educator Ray Kappe (1927-2019), a co-founder of Southern California Institute of Architecture (SCI-Arc).
Owyang House: The entry sequence to this new, two-story residence is a study in expansion and compression: The pathway, flanked by a long, linear infinity-edge water feature, opens to the sky, while a long, low steel canopy compresses the exterior entrance space and focuses attention on the dramatically hued entry door. Photo credit: Tim Griffith
Owyang House: Walls of glass connect the interior spaces to the beautiful new gardens. Photo credit: Tim Griffith
Owyang House: The ground floor level, shown in part here, includes ‘public’ spaces – kitchen, family, dining and living spaces . Photo credit: Tim Griffith
The primary suite is located on the ground floor level. The upper level includes an office and guest bedrooms in two wings connected by a floating bridge with north-facing clerestory windows above. Photo credit: Tim Griffith
Owyang House: The low ceiling of the entrance gallery gives way to the dining and living great room located on axis with the entrance and featuring a painting by Michael Müller. Photo credit: Tim Griffith
Owyang House: An interior garden of gravel and a single boulder visually anchors the sculptural form of the free standing, steel framed stair. Photo credit: Tim Griffith
Owyang House: Accessed through new and carefully choreographed landscape paths and gardens, and relaxing outdoor areas, the new interior spaces feature an abundance of natural light. Photo credit: Tim Griffith
Owyang House: Finishes, furnishings and equipment (FF&E) sources include Blomberg Windows, Bulthaup Kitchen, Gaggenau Appliances, B&B Italia, Poliform, Cassina and Minotti. Casework is by Porro and by Rimadesio. The Antonio Lupi lacquer vanity features an Antonio Lupi Breccia integrated washbasin in Flumood. Photo credit: Tim Griffith
As a way of defining the firm’s ethos, Swatt introduced basic principles for modern architecture that ensure projects are “knitted to the land”, designed from the inside out, and create connectivity, horizontally and vertically, with forms, both visually and physically, between the inside and outside.
“We approach projects with a curious mind, and bring thoughtfulness and consistency to our designs,” he explains. “It takes work to create a structure that is resonant in its simplicity and feels right.”
“Our philosophy is akin to jazz music,” adds Texas-born and San Francisco-raised George Miers, who studied under acclaimed post-modernists Charles Moore and Ricardo Legoretta, and the classicist Dolf Schnebli. In recent years, Miers has pioneered companion animal facilities, a project type which complements SMA’s residential work. “Our rigorous approach, commitment to consistency, and innovative thinking make us versatile designers who are in tune with our buildings’ occupants.”
Happy Valley Residence: The site for this new 10,800 square foot home is a prized 2.3 acre level parcel, bordered by a year-round creek The plan is a simple “H” shape with an entry courtyard on the north side and a large covered lanai on the south side. Photo credit: Russell Abraham
Happy Valley Residence: A key design strategy involved re-using the footprint of a pre-existing home as the basis for the new design – in order to preserve the beautiful mature landscaping that surrounds the home on all sides. The result is a new home with a timeless quality, perfectly knitted to its beautiful site. Photo credit: Russell Abraham
Happy Valley Residence: Materials are warm and natural, including Western Red Cedar for siding, some interior walls and ceilings, and Travertine walls, flooring and terraces. Windows and doors were custom made from Douglas Fir, stained to match the cedar siding. Photo credit: Russell Abraham
Happy Valley Residence: Located in the center of the “H” shape, this grand two-story great room opens directly to the kitchen and family areas on the east side of the “H” and the home office and guest suite on the opposite side. Both wings are connected by a beautiful bridge that overlooks the great room. Photo credit: Russell Abraham
Happy Valley Residence: Furniture was sourced from Minotti, Poliform, HR, DWR and BluDot. Wall coverings were sourced from Minted Wallpaper and Livette’s Wallpaper,
Photo credit: Russell Abraham
Happy Valley Residence: The expansive windows were sourced from Quantum Windows & Doors. Photo credit: Russell Abraham
Happy Valley Residence: The master bath casework was by Rivendell. Henrybuilt was sourced for the closet system shown and the kitchen (not shown), which also features appliances from Gaggenau and Miele. Photo credit: Russell Abraham
Happy Valley Residence: The project team included Swatt Miers Architects, W.B. Elmer & Co. (Contractor), Huettl Landscape Architecture, Yu Structural Engineering and Monterey Energy Group (Mechanical Engineering). Photo credit: Russell Abraham
Happy Valley Residence: The viewing area for the pool is made from Cedar siding, Thermory decking and stucco painted with Benjamin Moore Aura Exterior 301 Glen Ridge Gold Low Lustre. In the distance, a children’s play structure – made of logs, and designed jointly by the client, Swatt Miers Architects, the landscape architect and the landscape subcontractor – makes an artistic statement. Photo credit: Russell Abraham
Expansive Places, Intimate Spaces
Evident in the following custom residences is SMA’s deftness in shaping expansive architectural volumes for a human scale environment with transcendent sensitivity.
Happy Valley Residence – Located on a 2.3-acre parcel bordered by a year-round creek, this 10,800-square foot structure sits on the footprint of the previous one; this key design strategy preserves the mature landscaping.
Owyang House – Light, nature, and water set the stage for this minimally sculptural new structure, which includes two stories and a full basement encompassing 6,000 square feet.
Drury Court Residence – At this unique hillside setting with majestic Redwood trees, an abutting regional park, and stunning bay views, a new structure of 3 clear-span forms gracefully follow the sharply sloping site.
Drury Court Residence: Architectural forms are sculpted into the hillside of the uniquely sited two-acre property high in the Oakland/Berkeley Hills. From its quiet, two-story eastern entrance facade and entry court, the residence unfolds into a bolder, three-story, sun-shaded western elevation, as the site slopes sharply to the west, offering stunning bay views, while abutting a regional park on the north and west side.
Photo credit: Russell Abraham
Drury Court Residence: The design enables all three levels to be accessed from existing grade, as the structure terraces down the hillside. All the trees on the site were preserved, and several wonderful Oak trees were integrated into the design—one of which becomes part of the upper-level bedroom balcony. Photo credit: Russell Abraham
Drury Court Residence: A series of two- and three-story board-formed concrete core walls and columns were established to support 3 clear-span floor plates stepping down the hillside. These concrete elements have been scaled to achieve a harmonic counterpoint to the towering, mature Redwood grove bordering the property’s southern edge. Photo credit: Russell Abraham
Drury Court Residence: The design is realized with simple, natural exterior materials, including cedar siding, board formed concrete, cement plaster with acrylic finish coat, and trellis shaded aluminum, high-performance glass windows and doors. The highly efficient electric heat pump system is supplemented by solar panels with battery backup.
The project team included Swatt Miers Architects, Ethan Allen Construction (Contractor), PROVEST Structural Engineering, Joe Huettl (Landscape), Kim Cladas (Lighting Design), and Philip Neumann Energy Design (Mechanical).
Photo credit: Russell Abraham
Drury Court Residence: The kitchen features Calcatta Macchia Vecchia Polished stone from DaVinci Marble and stained German Oak wood floor with Trail/Spessart Oak wood casework veneers from Poliform. The appliances from Gaggenau, Miele, Subzero and Wolf and the range is La Cornue. Photo credit: Russell Abraham
Model Transformations
In realizing these one-of-a-kind modern homes, Swatt Miers Architects (SMA) has established itself as sought-after creators of collectible architecture. In keeping with a sculptural tradition, the studio uses what Swatt describes as an “old school” design tool for almost all of its projects – physical design study models. Through the model-making process, SWA learns so much more about architecture than from 3-D computer modeling, which the studio also uses.
“We like to think of a Swatt Miers house as thoughtfully, luxuriously, and, sometimes, painstakingly hand-crafted, from concept to construction,” concludes Swatt.
Model Making: Swatt Miers Architects hand-builds models for its custom residential projects, and for special circumstances, co-founder Robert Swatt will build one himself. Photo credit: Swatt Miers Architects